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  • Furthermore, the use of titanium dioxide in water purification systems is another example of how this mineral contributes to environmental sustainability. With its strong oxidative properties, titanium dioxide can effectively remove pollutants and contaminants from water, making it safe for consumption. By incorporating titanium dioxide into water treatment processes, China is able to provide clean and safe drinking water to its citizens.
  • We've measured many different immunological markers, both in the mucosa of the intestine and the lymphoid organs part of the intestine and we didn't see any inflammation there or changes in white blood cell number, Kaminski said. They also looked at the spleen where titanium dioxide was taken up into the bloodstream. You would expect [titanium dioxide] would be filtered out in the spleen and maybe induce inflammation there, but we did not see that, Kaminski added.

  • Despite its numerous advantages, the use of titanium dioxide in paint manufacturing requires careful consideration of its cost and availability. The mining and processing of TiO2 can be resource-intensive, which affects the final price of the paint product. However, ongoing research and development in the industry aim to optimize production processes, reduce costs, and explore alternatives like nano-titanium dioxide to further enhance paint performance.
  • When the pH of titanium dioxide deviates from the optimal range, its properties and performance may be compromised. For example, at low pH levels (acidic conditions), titanium dioxide particles tend to agglomerate and form clusters, leading to poor dispersion and reduced whiteness. On the other hand, at high pH levels (alkaline conditions), the stability of titanium dioxide can be compromised, resulting in decreased opacity and color performance.
  • A great number of other brands with fancy names have gone out of the German market, because of some defects in the processes of manufacture. The English exporters, as a rule, offer three or four grades of lithopone, the lowest priced consisting of about 12 per cent zinc sulphide, the best varying between 30 and 32 per cent zinc sulphide. A white pigment of this composition containing more than 32 per cent zinc sulphide does not work well in oil as a paint, although in the oilcloth and shade cloth industries an article containing as high as 45 per cent zinc sulphide has been used apparently with success. Carefully prepared lithopone, containing 30 to 32 per cent sulphide of zinc with not over 1.5 per cent zinc oxide, the balance being barium sulphate, is a white powder almost equal to the best grades of French process zinc oxide in whiteness and holds a medium position in specific gravity between white lead and zinc oxide. Its oil absorption is also fairly well in the middle between the two white pigments mentioned, lead carbonate requiring 9 per cent of oil, zinc oxide on an average 17 per cent and lithopone 13 per cent to form a stiff paste. There is one advantage in the manipulation of lithopone in oil over both white lead and zinc oxide, it is more readily mis-cible than either of these, for some purposes requiring no mill grinding at all, simply thorough mixing with the oil. However, when lithopone has not been furnaced up to the required time, it will require a much greater percentage of oil for grinding and more thinners for spreading than the normal pigment. Pigment of that character is not well adapted for use in the manufacture of paints, as it lacks in body and color resisting properties and does not work well under the brush. In those industries, where the paint can be applied with machinery, as in shade cloth making, etc., it appears to be preferred, because of these very defects. As this sort of lithopone, ground in linseed oil in paste form, is thinned for application to the cloth with benzine only, and on account of its greater tendency to thicken, requires more of this comparatively cheap thinning medium, it is preferred by most of the manufacturers of machine painted shade cloth. Another point considered by them is that it does not require as much coloring matter to tint the white paste to the required standard depth as would be the case if the lithopone were of the standard required for the making of paint or enamels. On the other hand, the lithopone preferred by the shade cloth trade would prove a failure in the manufacture of oil paints and much more so, when used as a pigment in the so-called enamel or varnish paints. Every paint manufacturer knows, or should know, that a pigment containing hygroscopic moisture does not work well with oil and driers in a paint and that with varnish especially it is very susceptible to livering on standing and to becoming puffed to such an extent as to make it unworkable under the brush. While the process of making lithopone is not very difficult or complicated, the success of obtaining a first class product depends to a great extent on the purity of the material used. Foreign substances in these are readily eliminated by careful manipulation, which, however, requires thorough knowledge and great care, as otherwise the result will be a failure, rendering a product of bad color and lack of covering power.

  • Both 28B301 and 30B311 are white pigments with high brightness and excellent covering power. They are commonly used in coatings, plastics, rubber, and paper industries. The main difference between these two grades lies in their particle size distribution. 28B301 has a smaller particle size, resulting in higher opacity and better dispersion. On the other hand, 30B311 has a larger particle size, which makes it more suitable for applications that require good rheological properties.